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The woman sings about how the man's "twinkling" or "dreamy" eyes ( mirmire aankha ) have completely captivated her and "messed with her mind". The man responds by praising her sweet voice and "kajal-lined" eyes that have pierced his heart.
They speak of things that are not in their "fate" or destiny ( karim ), concluding that force or over-exertion won't change their situation. The man laments that he has become like a wandering monk ( jogi ) because of this love. The woman sings about how the man's "twinkling"
A modern version was released featuring Arun Pun Magar and Parikshya Limbu. The man laments that he has become like
As the story unfolds, they acknowledge that their love may be impossible. The man describes himself as a poor person ( garib ) whose efforts are like a weak thread that has snapped, leaving him alone and single-minded in his grief. The man describes himself as a poor person
The woman sings about how the man's "twinkling" or "dreamy" eyes ( mirmire aankha ) have completely captivated her and "messed with her mind". The man responds by praising her sweet voice and "kajal-lined" eyes that have pierced his heart.
They speak of things that are not in their "fate" or destiny ( karim ), concluding that force or over-exertion won't change their situation. The man laments that he has become like a wandering monk ( jogi ) because of this love.
A modern version was released featuring Arun Pun Magar and Parikshya Limbu.
As the story unfolds, they acknowledge that their love may be impossible. The man describes himself as a poor person ( garib ) whose efforts are like a weak thread that has snapped, leaving him alone and single-minded in his grief.
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