This version leans heavily into the 1980s production, featuring extended synthesizer solos and percussion-heavy bridges that aren't present in the radio edit.

If you are analyzing the track for production or purely for enjoyment, focus on these "solid" markers:

You’ll hear more play with Marie’s powerhouse "She's got the look" chorus, often using echoes and delay effects to create a "wall of sound" effect typical of late-80s dance-pop remixes.