Pop Smoke - Top Of Drill (new Song) Official Video | Pop Smoke 2022 May 2026

The central set is a minimalist, Brutalist concrete hall. A velvet throne sits empty, but as the bass kicks in, a translucent, shimmering silhouette of Pop—adorned in his signature Dior and heavy chains—appears to be performing. It’s a haunting use of lighting and shadow that suggests he never truly left.

The lyrics are prophetic, with Pop rapping about his legacy and his ascent to the "Top of Drill" before he even knew how far the genre would go. The video ends with a powerful shot: a mural of his face in Brooklyn, which slowly transitions into a real-life shot of the sun rising over the city.

Should we break down the or the fashion trends that Pop Smoke popularized in this video? The central set is a minimalist, Brutalist concrete hall

The official video opens not with a beat, but with silence over a cinematic sweeping shot of the Canarsie skyline at dusk. The atmosphere is thick, tinted in a cold, metallic blue. Suddenly, the silence is shattered by that unmistakable, gravelly baritone: "Lulu... look." The Visual Narrative

"Top of Drill" is a return to form. Unlike some posthumous tracks that felt over-polished, this one is raw. It features a dark, sliding 808 bassline and a haunting choir sample that sounds like a victory march. The lyrics are prophetic, with Pop rapping about

The video transitions into a montage of "Drill" scenes from London to Paris, showing how the sound he popularized conquered the world. We see flashes of fans doing the "Woo" dance in front of the Eiffel Tower and the Big Ben, bridging the gap between New York and the international stage. The Song’s Impact

The screen fades to black with a simple message: Within hours of the 2022 release, the video trends #1 globally, proving that while the man was gone, his voice remained the undisputed heartbeat of the streets. The official video opens not with a beat,

Intercut with the "ghost" performance are high-speed, black-and-white shots of bikes popping wheelies down Flatlands Avenue. The cinematography is gritty, using wide lenses to capture the energy of the neighborhood he championed.