Ш§щ„шєщ†ш§ш¦щљ — Ш§щ„шјшіш·щ€ш±ш© Ш§щ„шшіщљщ† Ш§щ„ш®ш±щљшёщѓщљ Щ€шёщ†ш¬щљщ„ш§щ„щљ Ш±ш§шєщ€щ„ 1979

This review explores the legendary 1979 collaboration between and Benjellali Ragoul , a pivotal moment in the history of Moroccan performance art and folk music. The Context of 1979

Their performances stayed true to the traditional roots of Moroccan music, such as the rhythmic structures found in styles like Taqtouqa or Malhun .

Known for their mastery of popular folk rhythms (Chaabi and local Moroccan styles), the duo's collaboration in 1979 is often cited for its raw, unfiltered energy.

Ш§щ„шєщ†ш§ш¦щљ — Ш§щ„шјшіш·щ€ш±ш© Ш§щ„ш­шіщљщ† Ш§щ„ш®ш±щљшёщѓщљ Щ€шёщ†ш¬щљщ„ш§щ„щљ Ш±ш§шєщ€щ„ 1979

Ш§щ„шєщ†ш§ш¦щљ — Ш§щ„шјшіш·щ€ш±ш© Ш§щ„шшіщљщ† Ш§щ„ш®ш±щљшёщѓщљ Щ€шёщ†ш¬щљщ„ш§щ„щљ Ш±ш§шєщ€щ„ 1979